Before Memmo my notes were scattered across PDFs. Now a workspace pulls everything into one place — I see exactly what's still left to study.
In the pitch-black cell of an asylum - possibly in nineteenth-century France - an extended dialogue between the 'baron' and a disembodied 'voice' ensues. Arrested for a crime that he has no memory of, the baron swears his innocence throughout.
In contemporary France a man and his wife push one another into increasingly violent and extreme situations in what is evidently a deeply twisted marriage. There is only one possible outcome as the stakes get higher and higher. And where there is murder, there must be a murderer . . .
A book where nothing is quite as it first seems, Bernardo Carvalho's ingeniously structured novel raises disturbing questions about man's capacity to deceive and damage.
This is the second of several novellas featuring deceased literary figures at the heart of a murder mystery, based on a highly acclaimed Brazilian series entitled Death or Literature. Fiction in this occasional series also comes from Louise Welsh (Tamburlaine Must Die, on Christopher Marlowe) and Alberto Manguel (Stevenson Under the Palm Trees).
Before Memmo my notes were scattered across PDFs. Now a workspace pulls everything into one place — I see exactly what's still left to study.
Memmo's summaries are gold before exams. I don't have to re-read 800 pages two weeks before — just the important parts.
The AI chat has saved me the night before an exam more than once. I just keep asking until I get it — no waiting on a study group to reply.
The quizzes hit exactly what I need to know. Memmo tracks what I get stuck on — so I only practice what's worth it.
Flashcards with spaced repetition are magic. Memmo knows when I'm about to forget something and brings it back.
The AI podcasts are my favorite. I listen on my way to school and get a recap without sitting at a computer.
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