Before Memmo my notes were scattered across PDFs. Now a workspace pulls everything into one place — I see exactly what's still left to study.
This book is about poetry and the poetic in the cultures and literatures of Britain, Canada and the United States. Close reading is the primary method. The figures discussed in the book were born from 1911 to the post-war years after 1945. The volume proceeds from Marshall McLuhan as a poet through Douglas LePan, Ted Hughes, Leonard Cohen, Margaret Atwood, Thomas King and Forrest Gander to Hannah Lowe, Russell Leong, Marilyn Chin, Fred Wah (interpoetics, poetry and culture in Chinese diasporic poetry), Louis Riel, Pauline Johnson, Naomi McIlwraith (Indigenous and Métis poetry), Gaspar Pérez de Villagrá, Anne Bradstreet, Phillis Wheatley, Langston Hughes, Joan Kane, Russell Leong, Marilyn Chin and Forrest Gander (the multiple makings of poetry of North America). Here is a poetry of the North Atlantic world, a transatlantic poetics then and now. The book reads poetry and the poetic in terms of media, aesthetics, drama, criticism, music, interpoetics, diaspora, culture, diversity, and African, Asian and Indigenous poets.
Before Memmo my notes were scattered across PDFs. Now a workspace pulls everything into one place — I see exactly what's still left to study.
Memmo's summaries are gold before exams. I don't have to re-read 800 pages two weeks before — just the important parts.
The AI chat has saved me the night before an exam more than once. I just keep asking until I get it — no waiting on a study group to reply.
The quizzes hit exactly what I need to know. Memmo tracks what I get stuck on — so I only practice what's worth it.
Flashcards with spaced repetition are magic. Memmo knows when I'm about to forget something and brings it back.
The AI podcasts are my favorite. I listen on my way to school and get a recap without sitting at a computer.
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