Drawing together key areas of cybernetic art practice in the UK and USA, this book assesses British and American cybernetic art as relating to the intersecting field of Behaviourism.
This study takes as a starting point Roy Ascott’s essay ‘Behaviourist Art and the Cybernetic Vision’ (1966) and uses it to define a field of Behaviourist art from the period 1945–1975. Kate Sloan establishes the role of the cybernetic concept of feedback as a defining factor in understanding works of art as behavioural, expanded well beyond the perimeters of what we consider cybernetic art. The book also demonstrates how light, as a behavioural trigger, informed several discrete areas of art making, from cybernetic art to countercultural light shows and behaviourist architectures.
The book will be of interest to scholars working in art history, technology studies, music history, architectural history, and design history.
Betal enkelt med kort, Klarna, Apple Pay eller Google Pay. Ikke fornøyd? Du har alltid 14 dagers angrerett. Les mer i våre vilkår. Har du spørsmål, send oss en e-post på hello@memmo.org.
Memmo gjør det enklere å studere – uansett hvor du er i verden. Hos oss samler du pensumbøker og smarte studieverktøy på ett og samme sted: sammendrag, quizer, podkaster og flashcards. Og så Ted, din studiekompis som svarer på alt du lurer på. Over 50 000 studenter studerer allerede her – bygget for at du skal lære raskere og stresse mindre.