Editing for Directors guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film. This thorough, well-illustrated book:
Describes the artistic, organizational, and technical skills editors bring to the party;
Tells directors what to look for when hiring an editor and the best ways to work with an editor;
Explains how and why directors should plan for editing before they shoot a frame;
Devotes a full chapter to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing;
Defines and discusses cutting-room terms, practices, and workflows;
Reveals how editors approach footage and put shows together;
Details the postproduction process from dailies to director’s cut to locked cut;
Covers creating and overseeing VFX (video effects);
Demystifies spotting the show with the sound and music crew and creating, editing, and mixing sound and music;
Describes titling, color grading, the DI (digital intermediate) process, and producing your show’s final deliverables; and
Spells out ways to archive your show and why doing so matters.
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