Before Memmo my notes were scattered across PDFs. Now a workspace pulls everything into one place — I see exactly what's still left to study.
A biography of an unconventional Southern writer who illuminated gay life in the South
In The Damned Don't Cry—They Just Disappear, literary historian and Lamba Award-winning novelist Harlan Greene has created a portrait of a nearly forgotten southern writer, unearthing information from archives, rare books, film libraries,and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values.
As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view to the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first century readers can decipher them easily.
Greene also discusses Hervey's travel books and successful Hollywood scriptwriting, as well as his use of exotic elements from Asian cultures. The iconic film Shanghai Express, starring Marlene Dietrich, was based on one of his original stories. He also wrote some of the first travel books on Indochina, with descriptions of male and female prostitution and allusions to his own sexual adventures, which still make for sensational reading today.
Despite Hervey's output and his perseverance in presenting gay characters and themes as openly as he could, he has not been included in any survey of twentieth-century gay writers. Greene now rectifies this omission, providing the first book-length study of Hervey's life and work and the first scholarly attention to him in more than fifty years. It furthers our understanding of gay life in the South, as well as the impact of gay artists on popular culture in the first half of the twentieth century.
Before Memmo my notes were scattered across PDFs. Now a workspace pulls everything into one place — I see exactly what's still left to study.
Memmo's summaries are gold before exams. I don't have to re-read 800 pages two weeks before — just the important parts.
The AI chat has saved me the night before an exam more than once. I just keep asking until I get it — no waiting on a study group to reply.
The quizzes hit exactly what I need to know. Memmo tracks what I get stuck on — so I only practice what's worth it.
Flashcards with spaced repetition are magic. Memmo knows when I'm about to forget something and brings it back.
The AI podcasts are my favorite. I listen on my way to school and get a recap without sitting at a computer.
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