How is the individual and the 'nation' constructed and promoted in American theatre? How does theatre enable a nation to invent and reinvent itself? Who are the 'people' in 'We the People'?
This brief study examines the intersection of the USA's sense of self with its theatre, revealing how the two have an entangled history and a shared identity.
Through case studies of six canonical plays and musicals, such as Uncle Tom's Cabin (1852), Oklahoma! (1943), Angels in America (1991), and Hamilton (2015), Theatre and the USA demonstrates how all six of these plays sparked controversy, spoke to their moment, and became canonical texts, arguing that that the histories of these plays are the history of the USA's theatrical infrastructure.
This brief study examines the intersection of the USA's sense of self with its theatre, revealing how the two have an entangled history and a shared identity.
Through case studies of six canonical plays and musicals, such as Uncle Tom's Cabin (1852), Oklahoma! (1943), Angels in America (1991), and Hamilton (2015), Theatre and the USA demonstrates how all six of these plays sparked controversy, spoke to their moment, and became canonical texts, arguing that that the histories of these plays are the history of the USA's theatrical infrastructure.
Sidor: 112
Kategori: Drama, Teater & Scenkonst
e-ISBN: 9781350332799
Fraktvikt: 1.2 kg
Skickas inom: 1-2 dagar
Betala smidigt med kort, Klarna, Apple Pay eller Google Pay. Är du inte nöjd har du alltid 14 dagars ångerrätt. Läs mer i våra villkor. Har du några frågor, mejla oss på hello@memmo.org.
Memmo gör det enklare att plugga – var du än är i världen. Hos oss samlar du kursböcker och smarta studieverktyg på ett och samma ställe: sammanfattningar, quiz, poddar och flashcards. Och så Ted, din studiekompis som svarar på allt du undrar. Över 50 000 studenter pluggar redan här – byggt för att du ska lära dig snabbare och stressa mindre.