Since its composition and first performance in 1724, Bach's St. John Passion has captured the spiritual and musical attention of musicians, audiences, and congregations. This bookexamines this monumental work from a twenty-first century perspective, providing a new and comprehensive examination of the music and libretto.
Michael Fuchs and Bradley Jenson explore the historical context of the work as well as its performance history and practice. They address important questions regarding the Gospel of John, Martin Luther's theology, and anti-Judaism and antisemitism in the libretto. Combining expert theological and musical analysis, as well as a new English translation, this bookis a useful resource for students, musicians, and scholars while being accessible to general audiences with a strong interest in the music of J.S. Bach, highlighting the composer's compositional creativity.
Michael Fuchs and Bradley Jenson explore the historical context of the work as well as its performance history and practice. They address important questions regarding the Gospel of John, Martin Luther's theology, and anti-Judaism and antisemitism in the libretto. Combining expert theological and musical analysis, as well as a new English translation, this bookis a useful resource for students, musicians, and scholars while being accessible to general audiences with a strong interest in the music of J.S. Bach, highlighting the composer's compositional creativity.
Płać wygodnie kartą, Klarną, Apple Pay lub Google Pay. Nie jesteś zadowolony? Zawsze masz 14-dniową gwarancję zwrotu pieniędzy. Więcej przeczytasz w naszych warunkach. Masz pytania? Napisz do nas na hello@memmo.org.
Memmo ułatwia naukę – gdziekolwiek jesteś na świecie. U nas znajdziesz podręczniki i sprytne narzędzia do nauki w jednym miejscu: streszczenia, quizy, podcasty i fiszki. A do tego Ted, Twój kumpel do nauki, który odpowie na wszystko, co Cię nurtuje. Ponad 50 000 studentów już tu się uczy – stworzone, byś uczył się szybciej i mniej stresował.