How is the individual and the 'nation' constructed and promoted in American theatre? How does theatre enable a nation to invent and reinvent itself? Who are the 'people' in 'We the People'?
This brief study examines the intersection of the USA's sense of self with its theatre, revealing how the two have an entangled history and a shared identity.
Through case studies of six canonical plays and musicals, such as Uncle Tom's Cabin (1852), Oklahoma! (1943), Angels in America (1991), and Hamilton (2015), Theatre and the USA demonstrates how all six of these plays sparked controversy, spoke to their moment, and became canonical texts, arguing that that the histories of these plays are the history of the USA's theatrical infrastructure.
This brief study examines the intersection of the USA's sense of self with its theatre, revealing how the two have an entangled history and a shared identity.
Through case studies of six canonical plays and musicals, such as Uncle Tom's Cabin (1852), Oklahoma! (1943), Angels in America (1991), and Hamilton (2015), Theatre and the USA demonstrates how all six of these plays sparked controversy, spoke to their moment, and became canonical texts, arguing that that the histories of these plays are the history of the USA's theatrical infrastructure.
Maksa helposti kortilla, Klarnalla, Apple Paylla tai Google Paylla. Etkö ole tyytyväinen? Sinulla on aina 14 päivän palautusoikeus. Lue lisää ehdoistamme. Jos sinulla on kysyttävää, lähetä meille sähköpostia osoitteeseen hello@memmo.org.
Memmo tekee opiskelusta helpompaa – missä päin maailmaa ikinä oletkin. Meillä yhdistät kurssikirjat ja fiksut opiskelutyökalut yhteen paikkaan: tiivistelmät, visat, podcastit ja muistikortit. Ja sitten Ted, opiskelukaverisi, joka vastaa kaikkeen, mitä ikinä mietitkin. Yli 50 000 opiskelijaa opiskelee jo täällä – rakennettu auttamaan sinua oppimaan nopeammin ja stressaamaan vähemmän.