In London
Came the plague in sixteen sixty five
One hundred thousand dead
But I alive.
London is infected. The dead fall in the streets. As the plague pits fill, the people of London struggle to maintain a society in the face of overwhelming mortality. Based on eye-witness accounts from 1665 and drawing poetic parallels with modern epidemics, Ten Plagues relates one man's journey through a city in crisis.
Told entirely through a series of songs, Ten Plagues explores humanity's struggle with sickness and death and celebrates our capacity for survival.
This volume also contains The Coronation of Poppea, a new version of Monteverdi's opera depicting the triumphant adultery between Poppea and Roman Emperor Nero. Tackling this tale of epic lives, Ravenhill updates Tacitus' scathing portrayal of decadence and imperial degeneracy with language which is contemporary, spare and brutally powerful.
Taking opera librettos as a foundation, this volume presents two texts for modern music theatre by the seminally controversial playwright Mark Ravenhill.
Mark Ravenhill's introduction to the volume explains the inspiration and writing process behind the two pieces.
Came the plague in sixteen sixty five
One hundred thousand dead
But I alive.
London is infected. The dead fall in the streets. As the plague pits fill, the people of London struggle to maintain a society in the face of overwhelming mortality. Based on eye-witness accounts from 1665 and drawing poetic parallels with modern epidemics, Ten Plagues relates one man's journey through a city in crisis.
Told entirely through a series of songs, Ten Plagues explores humanity's struggle with sickness and death and celebrates our capacity for survival.
This volume also contains The Coronation of Poppea, a new version of Monteverdi's opera depicting the triumphant adultery between Poppea and Roman Emperor Nero. Tackling this tale of epic lives, Ravenhill updates Tacitus' scathing portrayal of decadence and imperial degeneracy with language which is contemporary, spare and brutally powerful.
Taking opera librettos as a foundation, this volume presents two texts for modern music theatre by the seminally controversial playwright Mark Ravenhill.
Mark Ravenhill's introduction to the volume explains the inspiration and writing process behind the two pieces.
Páginas: 96
Categoría: Drama, Teater & Scenkonst
e-ISBN: 9781408160534
Peso de envío: 1.2 kg
Envío en: 1-2 días
Paga fácilmente con tarjeta, Klarna, Apple Pay o Google Pay. ¿No estás contento? Siempre tienes 14 días de garantía de devolución. Lee más en nuestros términos. Si tienes preguntas, escríbenos a hello@memmo.org.
Memmo hace que estudiar sea más fácil, estés donde estés. Aquí tienes tus libros de texto y herramientas de estudio inteligentes en un solo lugar: resúmenes, quizzes, podcasts y flashcards. Y también a Ted, tu compañero de estudio que responde a todo lo que te preguntes. Más de 50 000 estudiantes ya estudian aquí. Está hecho para que aprendas más rápido y te estreses menos.