Before Memmo my notes were scattered across PDFs. Now a workspace pulls everything into one place — I see exactly what's still left to study.
The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.
Issue 23 features work from Marcelo Hernandez Castillo, Oliver de la Paz, Pete Hsu, and more.
The Los Angeles Review Masthead
Publisher: Tobi Harper
Editor: Kate Gale
Managing Editor: Deirdre Collins
Assistant Managing Editor: Eric Howard
Fiction Editors: Meredith Alder and Amy Sather
Assistant Fiction Editor: Meredith Westgate Russo
Flash Fiction Editor: Brittany McLaughlin
Poetry Editors: Blas Falconer and Vandana Khanna
Nonfiction Editor: Florencia Ramirez
Translation Editor: Piotr Florczyk
Book Reviews Editor: Alyse Bensel
Assistant Book Reviews Editor: Daniel Pecchenino
Contributing Editor: Sophia Ihlefeld
Editor-at-Large: Riley Mang
Production Editor: Rebeccah Sanhueza
Copy Editor: Breana Gomez
Before Memmo my notes were scattered across PDFs. Now a workspace pulls everything into one place — I see exactly what's still left to study.
Memmo's summaries are gold before exams. I don't have to re-read 800 pages two weeks before — just the important parts.
The AI chat has saved me the night before an exam more than once. I just keep asking until I get it — no waiting on a study group to reply.
The quizzes hit exactly what I need to know. Memmo tracks what I get stuck on — so I only practice what's worth it.
Flashcards with spaced repetition are magic. Memmo knows when I'm about to forget something and brings it back.
The AI podcasts are my favorite. I listen on my way to school and get a recap without sitting at a computer.
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