What exactly is modernism and who are modernist writers? What distinguishes American modernism from its European counterpart?
American Modernism (Re)Considered questions the principal distinction between modernism and other genres/movements/styles in literature through new critical readings of canonical modernist texts alongside texts which pose a problem for modernism due to their ambiguous, if not marginal, relation to some of its predominant tenets. It asks: Is modernism characterized principally by a transition from older forms (like naturalism and realism) to a style that is new, innovative, and experimental? Is it found in shared understandings and alignments regarding the nature and purpose of art? Is it identifiable by modernists' treatment of various central themes – including as a reaction to modernity; as a response to the Boer and World wars; as an interrogation of Britain's empire and its dissolution – and how these events fragmented modern life? Or is it all of the above?
Contributors discuss a wide range of texts – by authors such as Nella Larsen, Willa Cather, Charlotte Perkins Gilman, Anne Carson, Wallace Stevens, Américo Paredes, Richard Wright, Ernest Hemingway, and T. S. Eliot – to challenge the aesthetic, social, and temporal boundaries of modernism in America. Through original close readings of these texts, American Modernism (Re)Considered subjects modernism to new interrogations and offers new answers to questions that remain contemporary even as they harken back to its height of popularity and interest in the mid-1920s.
American Modernism (Re)Considered questions the principal distinction between modernism and other genres/movements/styles in literature through new critical readings of canonical modernist texts alongside texts which pose a problem for modernism due to their ambiguous, if not marginal, relation to some of its predominant tenets. It asks: Is modernism characterized principally by a transition from older forms (like naturalism and realism) to a style that is new, innovative, and experimental? Is it found in shared understandings and alignments regarding the nature and purpose of art? Is it identifiable by modernists' treatment of various central themes – including as a reaction to modernity; as a response to the Boer and World wars; as an interrogation of Britain's empire and its dissolution – and how these events fragmented modern life? Or is it all of the above?
Contributors discuss a wide range of texts – by authors such as Nella Larsen, Willa Cather, Charlotte Perkins Gilman, Anne Carson, Wallace Stevens, Américo Paredes, Richard Wright, Ernest Hemingway, and T. S. Eliot – to challenge the aesthetic, social, and temporal boundaries of modernism in America. Through original close readings of these texts, American Modernism (Re)Considered subjects modernism to new interrogations and offers new answers to questions that remain contemporary even as they harken back to its height of popularity and interest in the mid-1920s.
Strony: 304
Kategoria: Litteraturvetenskap & Teori
e-ISBN: 9798765126844
Waga przesyłki: 1.2 kg
Wysyłka w ciągu: 1-2 dni
Płać wygodnie kartą, Klarną, Apple Pay lub Google Pay. Nie jesteś zadowolony? Zawsze masz 14-dniową gwarancję zwrotu pieniędzy. Więcej przeczytasz w naszych warunkach. Masz pytania? Napisz do nas na hello@memmo.org.
Memmo ułatwia naukę – gdziekolwiek jesteś na świecie. U nas znajdziesz podręczniki i sprytne narzędzia do nauki w jednym miejscu: streszczenia, quizy, podcasty i fiszki. A do tego Ted, Twój kumpel do nauki, który odpowie na wszystko, co Cię nurtuje. Ponad 50 000 studentów już tu się uczy – stworzone, byś uczył się szybciej i mniej stresował.