Afro-Centered Futurisms in Our Speculative FictionEdition 1

· 2025 Ignyte Awards Shortlist, Outstanding Creative Nonfiction
· 2025 Locus Awards Top Ten Finalist, Non-Fiction
· 2025 Next Generation Indie Book Awards Finalist, African American Non-Fiction
· 2024 Foreword INDIES Book of the Year Awards Finalist
· 2024 British Science Fiction Association Award (BSFA) Shortlist, Best Short Non-Fiction
· Long-listed for the 2024 BSFA Award, Best Long Non-Fiction
· One of Brittle Paper's 100 Notable African Books of 2024
· One of Open Country Mag's 60 Notable African Books of 2024

In this vibrant and approachable book, award-winning writers of black speculative fiction bring together excerpts from their work and creative reflections on futurisms with original essays.

Features an introduction by Suyi Okungbowa.

Afro-Centered Futurisms in Our Speculative Fiction showcases creative-critical essays that negotiate genre bending and black speculative fiction with writerly practice. As Afrodecendant peoples with lived experience from the continent, award-winning authors use their intrinsic voices in critical conversations on Afrofuturism and Afro-centered futurisms. By engaging with difference, they present a new kind of African study that is an evaluative gaze at African history, African spirituality, Afrosurrealism, "becoming," black radical imagination, cultural identity, decolonizing queerness, myths, linguistic cosmologies, and more.

Contributing authors – Aline-Mwezi Niyonsenga, Cheryl S. Ntumy, Dilman Dila, Eugen Bacon, Nerine Dorman, Nuzo Onoh, Shingai Njeri Kagunda, Stephen Embleton, Suyi Okungbowa, Tobi Ogundiran and Xan van Rooyen – offer boldly hybrid chapters (both creative and scholarly) that interface Afrocentric artefacts and exegesis. Through ethnographic reflections and intense scrutinies of African fiction, these writers contribute open and diverse reflections of Afro-centered futurisms.

The authors in Afro-Centered Futurisms in Our Speculative Fiction feature in major genre and literary awards, including the Bram Stoker, World Fantasy, British Fantasy, Locus, Ignyte, Nommo, Philip K. Dick, Shirley Jackson and Otherwise Awards, among others. They are also intrinsic partners in a vital conversation on the rise of black speculative fiction that explores diversity and social (in)justice, charting poignant stories with black hero/ines who remake their worlds in color zones of their own image.