Før Memmo var mine noter spredt ud over PDF'er. Nu samler et workspace alt ét sted – og jeg ser præcis, hvad der er tilbage at læse op på.
An accomplished Southern storyteller's colorful reflections on literature, booze, firearms, violence, and sex
This fourth collection of essays by Paul Ruffin highlights his idiosyncratic wit and practiced storytelling skills in memorable autobiographic pieces ranging from the comic to the confessional.
The first section, "Things Literary, More or Less," includes the title essay, in which Ruffin takes the reader on a rollicking tour with iconic Southern writer George Garrett, which ends with the two men locating the ghostly remains of an obscure Texas hamlet called Ben Hur and talking with an eccentric representative of the town's handful of inhabitants. In other essays Ruffin workshops a cowboy poem with a couple of deputy sheriffs, reveals aspects of Edgar Allan Poe's life never before published, reviews some unusual books, and shares the story of a boy who speaks only in hymns. Ruffin concludes the section with the tale of an invigorating flight to San Juan in an old DC-6.
In the next section, "On Likker and Guns," Ruffin summarizes his drinking career, transcribes the conversation between two rats that destroy his university office, and tells the tale of a bowhunter who asked him for his deer bladder. He also introduces the reader to a sharpshooter who, while trying to demonstrate his prowess with an old rifle, kills an old man's tractor. Finally Ruffin takes the reader on a trip to a Texas gun show to meet the menacing Boram, the clueless Billy Wayne, and a vigilant wife dedicated to preserving the family budget.
The book ends with an excerpt from Ruffin's unpublished memoir, "Growing Up in Mississippi Poor and White but Not Quite Trash," in which the author recalls his agonizing boyhood quest to unlock the mysteries of sex: "Never under this sun was there a child more ignorant of the act, the organs involved, or its marvelous potential for pleasure and fulfillment. And never was there a child who tried harder to understand."
Through Ruffin's sly vision of himself and his surroundings and his ability to focus attention on life's curious, defining moments, these essays reflect some of the best aspects of contemporary literary nonfiction. Every tale is vibrantly alive with the sincere voice, crisp details, bold images, and distinctive dialogue that readers have come to relish in Ruffin's myriad writings.
Før Memmo var mine noter spredt ud over PDF'er. Nu samler et workspace alt ét sted – og jeg ser præcis, hvad der er tilbage at læse op på.
Memmos opsummeringer er guld inden eksamen. Jeg slipper for at genlæse 800 sider to uger før – kun de vigtigste dele.
AI-chatten har reddet mig aftenen før en eksamen mere end én gang. Jeg spørger, indtil jeg forstår det – og slipper for at vente på svar i en studiegruppe.
Quizzen rammer præcis det, jeg skal kunne. Memmo holder øje med, hvad jeg har svært ved – så jeg øver mig kun på det, der er det værd.
Flashcards med spaced repetition er magi. Memmo ved, når jeg er ved at glemme noget, og viser det igen.
AI-podcasts er min favorit. Jeg lytter på vej til skole og får en opsummering uden at sidde foran en computer.
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