There is a prevailing sense that commercial Superhero Comics cannot be serious objects of academic enquiry. It is the hallowed graphic novel, with its auteur/author, for which serious work is reserved.
This volume presents the work of three publishing houses who publish Superhero Comics in Delhi and Mumbai. It analyses their techniques of narration associated with the serial publication of commercial comics such as open-ended plots, frequent re-boots of the storyline, extended story arcs, and a complex narrative universe to throw into sharper relief the value of superhero comic books as distinct from the graphic novel. Through an exploration of commercial Superhero Comics, the authors wish to draw attention to a fluidity embedded in Superhero Comics, which is influenced by external pressures of distribution and production that are generally ignored in the desire to view a comic text as a discrete and disembodied whole. Superhero Comics then emerge as a post-modern vehicle to test serious socio-political issues in the mode of fantasy.
This ethnographic attempt to understand the contexts of production, circulation, and consumption of Superhero Comics will be of interest to comics scholars, students of popular culture, sociology, social anthropology, literature, and the arts.
Betal nemt med kort, Klarna, Apple Pay eller Google Pay. Ikke tilfreds? Du har altid 14 dages fortrydelsesret. Læs mere i vores vilkår. Har du spørgsmål, så send os en mail på hello@memmo.org.
Memmo gør det nemmere at studere – uanset hvor du er i verden. Hos os samler du dine kursusbøger og smarte studieværktøjer ét sted: resuméer, quizzer, podcasts og flashcards. Og så er der Ted, din studieven, der svarer på alt, du undrer dig over. Over 50 000 studerende studerer allerede her – bygget til at hjælpe dig med at lære hurtigere og stresse mindre.